By Apoorv Moghe There are a few people who are made for a specific thing in life and there is no one better than them at it. If his music transports you down melody lane where his 'sur' floats around and the 'taal' dances to its glee with the 'laay', its the effervescence of his voice that makes you linger back and relish the atmosphere when he is behind the microphone…be it the delectable, knee-weaking romance of 'laajun haasNe.. Labels 'Madbhari Ye Hawayein.. And how can we at all forget the Lata-Hridaynath collaboration to come up with albums like Chaala Vahi Desh, Meera Bhajans and Meera Sur Kabeera probably making him the only composer to compose 3 separate albums on the writings of MeeraBai. His impeccable memory, his wonderful orations of his experiences, his relentless energy to create something new and different over the years, his command over the language, his eloquence in recreating the humongous reading he has done, his grace and dignity that is seen not only in his presence but also is present in his compositions…compositions which resemble like a free spirited bird which sways through the clouds spreading happiness, compositions which represent the clouds themselves who get a silver lining because of him, which shower on us bliss, joy and pure, unadulterated feeling of being alive every time we pass under it. Pandit Ji's life has been symbolic of struggle with determination, creativity with passion, encompassing of feelings with grace, knowledge with wit, massive leap with firm groundedness.. Burman's 'Babla', Naushad's 'Baiju Baawra' and 'Deewana' and Roshan's 'Sanskaar' around …but he found his foothold when he started composing more often from the second half of the fifties for films and more importantly and significantly for his non-film singles and albums. 
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May this song never get off-key and keep keying into the lives and hearts of all his followers…Pandit Hridaynath Mangeshkar is indeed the 'Hriday-Nath'! But that is amrjtacha masters are made of…this inability to walk and play in a way opened doors to the world of literature for this wonder boy. By Apoorv Moghe There are a few people who are made for a specific thing in life and there is no one better than them at it.
For someone who has read a vast majority of all the books ever written in Marathi and a similar lot in amrutachha respected languages, this was indeed a boon as baaLaasaheb went on to compose some of the greatest works of legendary literary geniuses of the likes of MeeraBai, Ghalib, Sant Dnyaaneshwar, Sant Kabir, Surdas, Samarth Amrutachs, and many more over the years.
And if the Mangeshkars are the prime reason of the existence of rich music, then this gentleman is the substance in the existence! If his music created the serenity and sanctity with these albums, it was the Ghalib Ghazals that made us restless and pensive…this album is probably one of the finest soundtracks ever, which just goes to show how eclectic baaLaasaaheb is.
Burman's amtutacha, Naushad's 'Baiju Baawra' and 'Deewana' and Roshan's 'Sanskaar' around …but he found his foothold when amritacha started composing more often from the second half of the fifties for films and more importantly and significantly for his non-film singles and albums. About Me Apoorvnama View my complete profile.
At times, I feel he truly exemplifies this feeling a part of his song from a Marathi film.
This essence had another special fragrance to it when he composed in Bengali…being an ardent follower of Salil Chaudhary, he followed the footsteps of his self-confessed guru in using the tunes of his Marathi hits and translating them into Bengali, coincidentally most of which had lyrics by SalilDa himself and mostly sung by LataDi and AshaTai interestingly singing the other's original Marathi song in Bengali at times.
His non-film output is probably even better…better in terms of the free use of all his prowess and expertise and even in terms of the difficulty in structure.
Amrutacha Ghanu
His impeccable memory, his wonderful orations of his experiences, his relentless energy to create something new and different over the years, his command over the language, his eloquence in recreating the humongous reading he has done, his grace and dignity that is seen not only in his presence but also is present in his compositions…compositions which resemble like a free spirited bird which sways through the clouds spreading happiness, compositions which represent the clouds themselves who get a silver lining because of him, which shower on us bliss, joy and pure, unadulterated feeling of being alive every time we pass under it.
Posted by Apoorvnama Thursday, 14 February at A man who in a way changed the norm to 'there is a man behind a woman's success' by being the genius behind the masterpieces rendered by the stellar sisters…a man who inadvertently became the musical thread that joined generations through their cultures…a man whose stature is so calm and composed that his complicated and 'oh-so-difficult' tunes exude the same soothing quality to the ears…a man who crafted music defying the boundaries of creativity and excellence.
If his music transports you down melody lane where his 'sur' floats around and the 'taal' dances to its glee with the 'laay', its the effervescence of his voice ameutacha makes you linger back gjanu relish the atmosphere when he is behind the microphone…be it the delectable, knee-weaking romance of 'laajun haasNe.
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Unfortunately, his illustrious father died when he was hardly four so his musical journey was started by inheriting his father's compositions from his elder sisters, which later solidified when he began his formal training from Indore-gharaana maestro, Ustaad Amir Khan. Labels 'Madbhari Ye Hawayein.
And it is these very years that chiseled out a stoic yet sensitive singer-composer out of Hridaynath Mangeshkar! This was the time when the musician in him gave a headway to compose his first two delightful songs viz.
Amrutacha Ghanu / अमृताचा घनु
Mahanor, Sudhir Moghe and many others have had a distinguished association with baaLaasaheb on musical levels that became standards! If the entire Indian music is a song, then the Mangeshkar family is the Prima Donna of it. And how can we at all forget the Lata-Hridaynath collaboration to come up with albums like Chaala Vahi Desh, Meera Bhajans and Meera Sur Kabeera probably making him the only composer to compose 3 separate albums on the writings of MeeraBai.
Surdas's 'nisdin barsat nain hamaare. Pandit Ji's life has been symbolic of struggle with determination, creativity with passion, encompassing of feelings with grace, knowledge with wit, massive leap with firm groundedness.
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